1994 July
Posted on : 01-07-1994 | By : admin | In : Seer History
Tags: Satie ESS, Satie MediaVision, Satie Mixer, Satie Opti
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19940701 A5: Mixer & MediaVision Port
19940717 A6: ESS and Opti Ports: $3M royalty ceiling
19940701 A5: Mixer & MediaVision Port
19940717 A6: ESS and Opti Ports: $3M royalty ceiling
19940612 Seer complaints about ICS nonsales, Intel inattention.
PC Week
Glenn set it up; he got the scoop. And the first public demonstration.
19940501 Excluside Distribution of “SoftNotes” given to ICS /Turtle Beach
19940503 Henry Velick
19940421 Chris Chafe/Nando
19940316 Intel Development Extension #4: Unified sound bank and editor, Pentium optimization, reverb.
19940201 Intel sends SJ to pitch Creative (Sorkin)
19940218 Intel Development extension #3: Support OEM Licensing.
19940101 A4: Reverb, Editor, Librarian
New Media confirms sound cards disappearing.
19931215 Intel Development Extension #2:
Port to Wave output. As predicted, writing to Windows 3.1 audio services exposed the impossibility of working under the Microsoft audio system.
A key reason Satie worked, is that it worked OUTSIDE of windows. Intel’s Advanced Technology group (Bob Davies) had given us a slim 32-bit VxD-Virtual Device Driver (when 16-bit was the MS legal limit), that gave us control over the CPU’s Interrupt. As long as we were polite, this gave us a constant 11-millisecond cycle of processing opportunity, and abundant memory space in which to do it.
This law-breaking VxD proved to be the ticking time bomb that set off the NSP wars. We were aware of the implications and ever so willing to flout Microsoft, in pursuit of the importance and relevance of the work to synthesis itself.
Perhaps that is in part why—we later learned—Intel deliberately sought for the work “a West-coast group of Birkenstocked hippies.” (And why in all pictures from that period you’ll find me dressed for that role.)