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Seer Systems Interests Airline Broadcasters

Posted on : 14-08-2011 | By : admin | In : Seer History

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In-flight content experts Altitude Media recently honored Seer Systems by telephone interview.

“Another in a two-decade line of ‘firsts,’ this is to my knowledge the first coverage of a synthesizer company by in-flight radio and magazines. It brings our story to the attention of over 10 million people.” founder Stanley Jungleib said.

The segment runs on Delta and USAir for all of September and October, 2011.

Listen: Altitude Media Interview

NoteMuseum Perseveres

Posted on : 29-07-2011 | By : admin | In : Technology Licensing

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Patent ‘274 Re-Examination Certificate

Posted on : 15-02-2011 | By : admin | In : Technology Licensing

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EFF’s Cohn Loses Grip Over Failure

Posted on : 17-11-2010 | By : admin | In : Seer History

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Though supported by no expert testimony, be assured Cohn’s ‘doubts’ prove she knows more about MIDI, music, and audio than the USPTO. Clearly too upset to be candid, you don’t read about the seven years of EFF’s resources squandered by her ignorance about her centerpiece argument on prior art; which USPTO dismissed without hesitation. And only in such a bewildered mind does the addition of six new claims result in an unequivocal ‘narrowing.’ A professional loser to the end, instead of acknowledging the decision and recommending fair-market licensing, she calls for ‘workarounds.’ I agreeably encourage all competitors to bet their future on Cohn’s technical chops, strategic wisdom, and curious speculative outbursts.

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20101108 274 citations

Posted on : 08-11-2010 | By : admin | In : Seer History

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Seer Systems Vindicated

Posted on : 02-11-2010 | By : admin | In : Seer History, Technology Licensing

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“Patent Bust” of Seer Systems’ Electronic Music Patent Sunk By USPTO Action

San Francisco, CA – October 29, 2010 – The U.S. Patent and Trademark Office has rejected the EFF’s “Patent Busting” re-examination attack on Seer Systems’ patent #5,886,274. According to the EFF’s website, Seer and its ‘274 patent were “Wanted by EFF Marshalls” for “Crimes Against the Public Domain; Willful Ignorance of Prior Art; Eggregious Display of Obviousness.” The USPTO disagreed, ruling that the core original claims of the ‘274 patent are valid, as are six newly-added claims. From a technical standpoint the entire affair cost Seer only a few minor amendments of wording that rendered three of the original claims in the ‘274 patent no longer necessary.

Founder and Chairman Stanley Jungleib, responds: “Seer’s ‘274 Patent inventing scalable digital audio distribution has now withstood all reasonable tests and challenges. Seer Systems has already settled litigation with Microsoft, Yamaha, and Beatnik. Thanks to EFF this Patent has now received enough attention that no one in the MIDI or audio domain can claim ignorance of its validity and implications. Seer Systems looks forward to licensing responsible customers under fair terms. And, as necessary, we will continue defending our intellectual property consistent with our substantial record.”

Seer’s outside litigation counsel, Alex Weyand of the Weyand Law Firm, San Francisco, commented: “Why the EFF did not contact our client first, and instead chose to learn the hard way, remains a mystery.”

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20100205 seer

Posted on : 05-02-2010 | By : admin | In : Seer History

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#5,886,274 Inventor’s Declaration

Posted on : 21-09-2009 | By : admin | In : Seer History

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Seer Systems Considering Releasing Reality Code as Open Source

Posted on : 10-09-2009 | By : admin | In : Technology Licensing

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Seer Systems released the acclaimed Reality software synthesizer in 1997, at which time it was supported on Microsoft Windows 95, and eventually on Windows 98. Over the years, a recurring question has been “When will Reality be available on newer operating systems?” A decade later, Seer has not yet announced plans to release an upgraded version, a situation which many find confusing.

What the general public may not know, is that Seer has considered not only upgrading Reality to newer versions of Windows, but releasing the Reality source code to the public. For various reasons, however, Seer has done neither. A recent email exchange between a Remixer user and Stanley Jungleib, presented a new opportunity for the Seer Systems founder to update the legal and technical issues:

Hola!

I’m a musician in Mexico City. I love the seer ReMixer, it sounds incredible. I sometimes use Vanvasco’s but it just does not compare.

Now, that said, I hate you guys for not making the windows XP upgrade! Who the heck uses Windows 98 anymore? When the screen in my old Compaq Armada (old laptop) died on me, I basically lost your awesome program. I’m now stuck with a very crappy one I use in my new laptop and I just hate it.

It’s like a masterwork gone totally to waste.

Seer Systems responds:

Thank you, my friend. I understand your frustration — although many still happily run Reality on Win 98 desktops with digital output.

The SeerMusic® technology (U.S. Pat #5,886,274) which defines the Remixer system has been licensable. But that is a separate matter from the body of assembly and C code upon which the Reality 1.5 real-time engine (the superset of all the products) is built.

One of the reasons you distinguish and love its sound is that Reality is (to my knowledge) still the only synthesizer that runs at 80-bit resolution.

Briefly, from 1993 when we invented the 486 synthesizer for Intel (within Win 3.1), and Pentium-rewritten for Win95 and Win 98, we utilized unique interrupt techniques to operate ‘outside’ the standard OS, if you will. Windows NT blocked our ability to do this. So, even were we to shoehorn Reality into a 64-bit system like Vista, it could not deliver the distinct audible results you appreciate in Win 98! (By the way, 80 vs. 64 bits is an entire CD’s worth of extra filter precision from 1999’s Reality, compared to virtually all other contemporary host-based systems.)

Seer has wanted to release the code to the open source community that may be preparing for 128-bit operating systems. But that is not simple either, because the engine contains other patented elements—most notably Sondius® physical modeling—that can’t just be ripped out with a delete key. No matter the disclaimers, warnings, and license terms clarifying the difference between technology and code, at this time open distribution would seem to create abundant opportunity for misunderstandings. Can the community recover the techniques which clearly contain a great heritage, while respecting the remainder as owned exemplifications?

Seer Systems welcomes suggestions to resolve this dilemma so that the development community can indeed learn from this “masterwork.”

– Stanley Jungleib

Stanley Jungleib Interviewed about #5,886,274.

Posted on : 22-08-2009 | By : admin | In : Seer History

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Revised: 20120709

Rick Davies explores the context and history of Seer Systems’ profoundly influential patent #5,886,274 with Chairman and inventor Stanley Jungleib. Jungleib explains the grounds of the patent’s strength and predicts why EFF’s notions about prior art would fail—exactly as they did in October, 2010 when USPTO reissued ‘274 not merely intact, but strengthened by six additional claims.

Errata:
In mentioning the review of General MIDI I misattributed a CMJ statement to the AES. Both reviews are available with the complete text at General MIDI [Book].